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Kino Flo SYS-244-230U, 2ft 4Bank System, Univ 230U

Kino Flo SYS-244-230U, 2ft 4Bank System, Univ 230U
1.305,00 € *

zzgl. MwSt. zzgl. Versandkosten

Sofort versandfertig, Lieferzeit ca. 1-3 Werktage

  • 9KFSYS-244-230U
The  2' 4Bank System  from  Kino Flo  is comprised of a single 2', four-tube... mehr
Produktinformationen "Kino Flo SYS-244-230U, 2ft 4Bank System, Univ 230U"

The 2' 4Bank System from Kino Flo is comprised of a single 2', four-tube fluorescent fixture, a 4Bank ballast to power it, grid (louver) to help control the light, a 25' head extension cable, and a mounting plate with a long 3/8" pin that mates up with a variety of grip heads and gear. 

This versatile kit is portable enough to be used for news gathering or any other location video shots but is equally at home in the studio. The 4Bank system was designed as a soft light source that could be plugged into the wall on location. With its narrow profile and size, the 4Bank could approximate the quality of light from bounced sources without losing set space. It was designed in this manner to allow the greatest flexibility when working on film production where the gaffer and DP are constantly being challenged to light unique locations and problem solve at a moment's notice. The 4Bank is a high output, high frequency electronic ballast with universal input voltage from 100-240 VAC, that can operate four lamps up to 75 feet between ballast and fixture. Dedicated switches allow for individual control of each lamp. The ballast sends a high output current to the lamps to drive the light as brightly as possible. Its high-frequency electronics prevent any type of flicker. Kino Flo's engineering ensures stable operation without magnetic hum or cooling fans to interfere with the sound recording on set.

All Kino Flo lights employ optional True Match lamps which are formulated to correspond to the spectral distribution curves of film and video cameras as well as look correct to the eye. They are designed to match the colors from quartz units or daylight sources such as HMIs. This gives the camera operator the option of mixing quartz hard light sources with fluorescent soft sources.

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